Artist

Aïda Muluneh​

Aïda Muluneh (b. 1974, Addis Ababa) is an acclaimed photographer whose bold visual language interrogates identity, culture, and the power of imagery.

Aida Muluneh at a shoot

Born in Addis Ababa in 1974, Aida Muluneh graduated from Howard University in Washington, D.C., with a degree in Communications, majoring in Film. Her photography has been widely published and is included in the permanent collections of prestigious institutions such as the Museum of Modern Art (MoMA), the Smithsonian’s National Museum of African Art, the Hood Museum, the RISD Museum of Art, and the Museum of Biblical Art in the United States. Muluneh received the European Union Prize at the Rencontres Africaines de la Photographie in Bamako, Mali, in 2007, the CRAF International Award of Photography in Spilimbergo, Italy, in 2010, and was a CatchLight Fellow in San Francisco, USA, in 2018. In 2020, she was honored with the Royal Photographic Society Award in Curatorship. In 2023, Aïda Muluneh was the cover of the critically acclaimed Tate Modern exhibition, ‘A World in Common: Contemporary African Photography’ curated by Osei Bonsu.

In 2019, Muluneh became the first black woman to co-curate the Nobel Peace Prize exhibition and returned the following year as a commissioned artist for the prize. Her commissioned projects use creativity to educate and advocate on topics related to the environment and health. Her work has been exhibited globally and published in key publications worldwide. As a leader in her field, she has been recognized as a change-maker in Africa, shifting perceptions of the continent.

As a prominent Canon brand ambassador, Muluneh is deeply committed to advocating for the development of photography in Africa through her educational programs across the continent. She is the founder of Addis Foto Fest (AFF), the first international photography festival in East Africa, held since 2010 in Addis Ababa, and the Africa Foto Fair, established in 2022 in Côte d’Ivoire. The Africa Foto Fair is both an exhibition and a virtual publication that brings emerging and established talents to the global photography community. Additionally, she established the Africa Print House, which offers fine art photography printing through her studio in Abidjan—a creative space that provides end-to-end solutions for photographers in Africa. As an educator and cultural entrepreneur, she continues to develop projects with local and international institutions in Ethiopia and Côte d’Ivoire.

Aïda Muluneh — Photographers in Focus, NOWNESS, Ethiopia

Photographers in Focus by the global culture video platform NOWNESS offers an intimate look into the creative universe of Addis Ababa-based photographer Aïda Muluneh. The documentary chronicles the intense production behind her striking Water Life collection—a body of work commissioned by the international NGO WaterAid to explore global issues surrounding access to clean water and its disproportionate impact on women and education in Africa. Set against the dramatic, blistering landscapes of East Africa’s Afar region in the Danakil Depression, the narrative captures how Muluneh balances deep conceptual advocacy with grueling physical execution.

The film offers a rare glimpse into Muluneh’s studio and field practice, moving from her initial physical sketches to the high-contrast, heavily pigmented live-set choreography that defines her aesthetic. By utilizing traditional African artistic expressions as a spiritual provocation, Muluneh explicitly frames her fine art with a socio-political purpose to challenge historical, external representations of contemporary Africa. It is essential viewing for collectors, curators, and institutions seeking to understand the technical resilience, cinematic vision, and advocacy driving Aïda Muluneh’s fine art photography.

Selected Works

Burden of the Day, 2018

Burden of the Day, 2018

The blind gaze, 2021

The blind gaze, 2021

In the Valley of my Shadow, 2021

In the Valley of my Shadow, 2021

Catalogues

This Bloom I Borrow | Aïda Muluneh

Published on the occasion of Aïda Muluneh’s solo exhibition This Bloom I Borrow, this catalogue documents a body of work developed during the artist’s residency in Dubai and presented at Efiɛ Gallery.

The publication follows Muluneh’s exploration of photography beyond its conventional documentary function, examining her movement towards a more experimental and materially driven practice. Archival photographs are transformed through processes of painting, layering, and screen-printing, creating compositions in which colour, architectural forms, gesture, and symbolism intersect.

Contributions by Grace Aneiza Ali, Maktoum Al Maktoum, and Simon Njami offer complementary perspectives on Muluneh’s practice and the ideas explored throughout the exhibition, placing the works within broader conversations around photography, identity, memory, and representation. The catalogue offers a record of the visual language developed specifically for the exhibition, while providing insight into the processes and ideas that informed this stage of the artist’s practice.

Published

Publisher

Efie Publishing

Pages

100

Language

English

View Catalogue

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